https://www.veronicamockler.com/selected-works daily 0.75 2026-08-05 https://www.veronicamockler.com/performance daily 0.75 2026-08-14 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786849113005-Q401EQ6B6JEKN6QEN3PM/john_01.jpg Performance THE ADDRESS. Satellite Performance Takeover Across Cégep Marie-Victorin, Montréal Arts Council, Patrons of the Arts First Prize, National Theatre School of Canada Amplifier 360°, Ethnography, May 2019 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787004698806-Z9YBI0DU3C48JBVNWONX/plamer-copy-2.jpg Performance LES INTERPRÈTES. Cinéma Sous les Étoiles Film Festival, Funambules Media, June to August, 2018 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786849133443-ETZNBTPP1E71VF0RXYIK/image_01.jpg Performance A SHARED KEYNOTE. World Forum for Acoustic Ecology, WFAE - Atlantic Center for the Arts, Florida, USA. March 2023 (with Bénéwendé Segueda and Amanda Gutierrez) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786849806602-TLSGHU19INWYF2N6DXSZ/Screenshot%2B2026-08-06%2Bat%2B6.15.28%25E2%2580%25AFPM.jpg Performance THE EXTENDED ENVIRONMENTAL RECORD Tokyo Biennial, Japan 2024 (with Taisuke Eida (Forester, Japan), Takashi Noguchi (Forester, Japan), Toshihiko Mukai (Farmer, Japan), Kaori Takano (Local resident, Japan), Makiko Mori (Local resident, Japan), Yoshifumi Mizuguchi (Local resident, Japan), Yuri Nishiyama (Creative team, MIND TRAIL, Japan), and Marcus Maeder (Artist, researcher, Switzerland)) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787007142542-8W782ILUW3ZGZ09AM2UR/Normes_2023_BANAL_Promo_-58.jpg Performance RESIDENCY NORMS. Montréal arts interculturels, UNESCO-PREV Chair. Montréal, Québec, Decembre 2024 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787007605554-1MHAJNVULFWZT0AB04AU/Screenshot%2B2026-08-06%2Bat%2B6.29.58%25E2%2580%25AFPM.png Performance Iglesia Primitiva X Banal Collective Guadalajara, México, 2025. (with Cristian Franco, and Monica Leyva) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787008147663-JW60T8EVFV4FICQZIQGC/the_listing_01.jpg Performance THE SECOND LISTING. Doubletake: An event of potentiality, LOCK GALLERY, Montréal, QC Canada. 2014 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786849981537-O094AR03ITRXSD244PL9/P1290706.png Performance DARK DIPLOMACY. Museo de Arte Zapopan, Guadalajara, México 2024. (with Dona Pancha Fest X Banal Collective) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786850280379-85TBDHCN3F5T2GXRAB2B/benewende_01.png Performance THE ADDRESS. Montréal Arts Council Patrons of the Arts First Prize National Theatre School of Canada Amplifier 360° Ethnography, 2019. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786850264751-FV5GFI4ISL5RR95W0C39/IMG_2870.jpg Performance THE EXTENDED ENVIRONMENTAL RECORD. Mind Trail Festival, Toge no Manabiya, Former Hirohashi Elementary School, Shimoichi, Nara, Japan. September 2023 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787008836609-PPGLRSIL708RJG9DSTP6/Screenshot%2B2025-12-02%2Bat%2B2.34.29%25E2%2580%25AFPM.png Performance RIVIÈRES. City of Montreal, vive375mtl fund, Arrondissement Côte-des-Neiges-Notre-Dame-de-Grâce, Theatre Engaging Communities Program, National Theatre School of Canada, Centre Communautaire de Loisir de Côte-des-Neiges, 2017. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787004825174-5Y161GM2VTFBY85K4RT7/dfsdfsdf.png Performance LES INTERPRÈTES. Maison de la culture du Plateau, Art Public School Fund, City of Montreal's Plateau-Mont-Royal Arrondissement, Centre Turbine, 2018 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787008613552-KK3HS5XL0OHJH5S8RUDE/Copy%2Bof%2BPerformance_MAC-26.jpg Performance EXTREME AS COMMONPLACE. Musée d’art contemporain de Montréal. Banal Collective in conversation with Pussy Riot’s Velvet Terrorism. February 22, 2024 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787007923329-VUEBBPD2RRFGZMW6XV7L/Nuit%2BBlanche47.jpg Performance CEREMONIA. Consulate General of México to Montreal. Nuit Blanche Montréal. January 22, 2026 to March 1, 2026. (with Cristian Franco, Monica Leyva, Diego Orendain, and Banal Collective) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787008628962-9SO2Q11FCZIPO4U8DAI0/screen-shot-2019-09-16-at-9.45.47-pm.jpg Performance THE SECOND LISTING (COLLECTIVE). Concordia University, November 23, 2013. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787004732207-C5ZT0M255OVP6P5WHGYL/61665518_304406097148224_5866006896851893758_n_18037823437182849.jpg Performance THE ADDRESS. 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2026-08-14 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846468613-YUN09L1HD4ZA1QFXK8G8/1.jpg Exhibition THE DISSATISFACTION SURVEY. Canadian Society for Education Through Art, NSCAD University, Halifax, Nova Scotia. June, 2024. (with jessie beier and José Cortés) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846486980-9667QXL0183SNZQND4ZM/Normes_2023_BANAL_Promo_-17.jpg Exhibition RESIDENCY NORM. Montréal, arts interculturels (MAI). Montréal, Québec. December, 2023. (with Banal Collective) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846542199-AU4ZRNVX8PRV75J43FL8/75225461_724974514657323_3566895312530306516_n_18095380747107375.jpg Exhibition PAVILLON. La Maison des artistes visuels francophones. Pluri-Elles and Accueil Francophone. Secrétariat du Québec aux relations canadiennes. Winnipeg, Manitoba Canada, 2019. (Solo exhibition) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846559342-5XZ9QFJGTY433FLQWF5O/canvassersretouche_17.png Exhibition CANVASSERS. (1) Redd/Flagg Gallery, Toronto Canada, 2017. (2) Third Shift Festival, Nova Scotia, Canada, 2017. (3) Critical Study of Race and Ethnicity Independent Fellowship, Ammerman Center for the Arts, Connecticut USA, 2018. (Solo exhibition) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846572738-BE3TWYXWYR8P65VFDMP8/banner.png Exhibition THE THIRD SCREEN. (1) Union Docs, New York City, USA, March 2022. (as part of Collaboration and/as Negotiation: Documentary Ethics, with Amanda Gutiérrez, Hadley Austin, Budhaditya Chattopadhyay, Walis Johnson, and Javier Toscano) (2) WFAE - Atlantic Center for the Arts Florida, USA, March 2023. (3) Acts of Listening Lab, Montréal, Québec, April 2023. (Solo exhibition) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846591423-I1EWY7GGE68SR56H8YWD/Original_Banner.png Exhibition DARK DIPLOMACY. (1) Centro de Cultura Digital, CDMX. (2) Museo de Arte Zapopan, Guadalajara, México, July 2024. (with Banal Collective) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846643254-R45BS1HOK4JMR19AD52I/Screenshot%2B2025-01-12%2Bat%2B10.10.22%2BAM.png Exhibition I WON'T DO IT ALONE. Dazibao Art Contemporain, November 2024 to January 2025. Montréal, Québec. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846700849-TWHGTVDKZO1QNTJSX3EG/Nuit%252BBlanche79.jpg Exhibition CEREMONIA. Consulate General of México to Montreal. Nuit Blanche Montréal. January 22, 2026 to March 1, 2026. (with Cristian Franco, Monica Leyva, Diego Orendain, and Banal Collective) https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1786846793682-W4VQ7LSDZ6CU1ACT1SO7/PXL_20241015_175618258.jpg Exhibition THE BURNING OF LONG KESH. (1) Felons Club, Falls Road. (2) St Comgall’s Hall, Ionad Eileen Howell. Belfast, Ireland, October 2024. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787009792921-1FXSNQ389RRJO4QZ4OYU/sala-de-teatro-10%252B%2525281%252529.jpg Exhibition CHRONIQUE D'UN ÉTÉ. Gstaadfilm International Festival for Short Art Films, Montevideo, Urugay, 2017 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1787009993977-IQXHWB9ACU74WVRI2VJS/20210427_164600%2B%25281%2529.jpg Exhibition FOUND IN TRANSLATION. (1) SBC Gallery of Contemporary Art. Montréal, Québec, 2020. (2) Scottish Oral History Centre, University of Strathclyde, Glasgow Scotland, 2021. (with Amanda Gutierrez, Florencia Sosa Rey, and Joanna Guillaume) https://www.veronicamockler.com/teaching-talks-and-workshops daily 0.75 2026-08-14 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/9acf7eb0-63d8-42e2-bdfb-7212f7205d82/Screenshot+2025-12-02+at+2.36.50%E2%80%AFPM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/761712c7-7d51-407c-8c87-dfe83eb26f44/184957862_161394235986549_562594492735268918_n_17901203593886900.jpg Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/2cb9a47a-cb79-4367-9077-114d8f377a90/195894011_120550473526846_6849194604371162834_n_18174686044136214.jpg Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/19e7757b-a218-4575-996a-7e1e5451dc27/Screenshot+2025-01-11+at+11.47.28+AM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/5b0b2345-9248-47a5-951c-8672cf25aba1/Screenshot+2025-01-11+at+11.07.56+AM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/de7ab305-69f7-4a03-9597-033ca345a9bb/Screenshot+2025-01-11+at+11.14.51+AM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/5183149f-bdb6-41b3-940f-b45e0d29da78/Screenshot+2026-08-06+at+7.45.20%E2%80%AFPM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/26f3fc01-e832-4dc0-b1d5-4288b224bbb5/Screenshot+2025-01-12+at+7.49.22+PM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/301d0c88-b91d-4dc8-bbaa-30b459be97d6/Screenshot+2026-08-07+at+3.38.14%E2%80%AFPM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/154a2855-7953-4e58-9b1a-4d64c16ffefc/3L1A0861.JPG Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/00fed68d-c305-4236-bee9-3288f75f9cbd/Screenshot+2025-04-13+at+7.48.44+AM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/4404cc20-70c2-4af4-9201-9d570489786a/260347837_312880040659771_9213558142753429786_n_17913641804170209.jpg Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/a935a065-5305-47ec-83b3-d10bf8586b2e/Screenshot+2026-04-26+at+9.55.42%E2%80%AFAM.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/dcb992b3-f211-4d6c-803d-d71637f690dd/01_VMOCKLER_for_CUPW.png Teaching, talks and workshops https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/a935a065-5305-47ec-83b3-d10bf8586b2e/Screenshot+2026-04-26+at+9.55.42%E2%80%AFAM.png https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/d17f25be-a7f3-4509-8c67-04257661a4c7/Screenshot+2025-01-11+at+11.34.07+AM.png https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/97946d40-aaae-42bb-b815-63742b632718/Screenshot+2025-01-11+at+11.47.28+AM.png https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/99f1146c-b9b0-4947-b4de-8b19e335f8f0/Screenshot+2025-01-10+at+10.23.29+AM.jpg https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/f0011ea4-7f1c-4403-8356-d98e7190d588/Screenshot+2025-01-12+at+9.42.52+AM.png https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/521f17c2-5ef6-4c12-abe3-74c3706a39ca/1737086344845352936.jpg https://www.veronicamockler.com/documentary daily 0.75 2026-08-14 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/e0f3c635-fd7b-4fd6-bd4d-75209fa736fe/Screenshot+2024-05-21+at+3.54.01+PM.png Documentary Interview with Gerry Adams from The Burning of Long Kesh 2024 In collaboration with The Felons Club, Roddy McCorley Republican Heritage Centre, and the Coalition for Peace in Ireland, Canada https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/90e30eb5-2bbd-4fe9-9d08-ecf428cbdf16/67445545_355349035374682_7552454406605514226_n_18016659802228108.jpg Documentary La Maison des artistes visuels francophones In partnership with Pluri-Elles and Accueil Francophone Secrétariat du Québec aux relations canadiennes Centre Turbine Winnipeg, Manitoba August - December 2019 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/e9b8395f-773a-4e8f-98c9-1e05d361b2d0/halka-doc.jpeg Documentary Standing on the outside looking in (with a camera) becomes an emboldening exercise for Hunnayna, Kaymarie, and Kendra as they examine the ethics of their inclusion in the seemingly sacrosanct worlds of academia, research, and art. Follow the three teenagers as they navigate the ethics of representing those who would normally be the authority in the room. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/c44c9d14-60a2-4f80-bb68-35f407c9ad0a/55947354_177824136533567_5623053351888507492_n_18047949727020775.jpg Documentary In April 2018, I was invited to undertake a six-week artist residency in a Montreal high school. During my time there, I created a series of documentary manipulations with 16 teenagers who had just recently arrived in Canada. As newcomers, many refugees, these teens were learning French in what the Québec school system calls a “welcome class” [ … ] The work is distributed by Groupe Intervention Video https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/ab4935ad-ee7b-44b3-87a2-7cea37e9e568/mnkbjkjk.jpg Documentary Mockler’s questioning of institutional inclusion mechanisms takes on a dynamic form through the ongoing circulation and exhibition of her three-screen video installation, titled The Third Screen. Whether featured at a conference or exhibited in a white cube setting, the installation transforms these spaces into dialogical arenas. Within the video piece, the conventional process of communicating research results, both in art and research, undergoes a subtle ontological rebellion. Viewers find themselves immersed in the experience of research participants - Azzouz, Joanna, Kevin, and Sheida — who are directly included in the interpretation and communication of the final research output. Informed by the tenets of decoloniality, working-class oral history, and popular education, this immersive installation stands not just as a static display but as a manifestation of a dialogic approach for knowledge-making. Mockler encourages academics and artists to actively question the depth and phases of inclusion in their collaborations, pushing for a shift towards a more inconclusive and participatory engagement with those they work alongside. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/1c7bf8a4-e9c8-43a6-8ac3-d76f6823519c/Bobby.jpg Documentary Spanning California, Québec, and Ireland, this work initially began as an oral history interview with Belfast-based working-class activists Bobby Lavery and Susana Hennessey Lavery. Now including the voices and experiences of 14 Irish Republican prisoners of war, this polyphonic investigation explores the ethics of extremity and representation and encompasses a sound installation (Listening, Performance and Conflict Symposium, 2019), and several video installations (Felon’s Club, Belfast; St. Comgalls, Ionad Eileen Howell). The artist also writes about the work in a text titled “Hard Listening: The Ethics of Extremity”, in The Ethics of Extremity: On Seeing, Hearing and Feeling Each Other, by Bloomsbury Publishing, 2026. Digital Arts Studios, Belfast Roddy McCorley Museum Listening, Performance and Conflict II Acts of Listening Lab - Centre for Oral History and Digital Storytelling UNESCO Chair in the Prevention of Radicalization and Violent Extremism Centre for the Study of Learning and Performance Intermedia Cyber Arts Department - Concordia University https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/cd0d76cb-da9f-442e-bb2e-d92f30261b77/81771343_237274850601846_5506670198803553345_n_17859956353641342.jpg Documentary This unfinished documentary work is about Nati, a young woman who sought out me back in 2018 to ask if I could help her tell her story. We first met in a coffee shop, which we left minutes later to find a more private place to talk. Natasha went on to present herself as a 21-year-old Montreal-born woman who was first sexually assaulted at the age of 7. She is the survivor of six cases of sexual violence perpetrated by different men. Nati identifies as a "Lao-Salvadoreña activist against sexual violence, a rape survivor, and a suicide attempt survivor" (taken from Natasha's Instagram biography). At the age of 21, Natasha decided to publicly address, through video logs on social media, the sexual abuse, incest, and misogyny she has experienced in her lifetime. Listening to Nati is a work of nonfiction that explores the use of “enactments” to reclaim what should have been joyful moments and experiences in Nati’s life—moments she was unable to take part in due to crisis and depression, such as her high school graduation. Treading the uneasy line between reality and fiction, the work does not attempt to fill the void of a happy memory that never came to be. Rather, it seeks to rewire it—to embed new code into the memory of what did not happen. The absence remains, but it is now accompanied by the artist and Nati’s playful, strange enactments of what might have been. https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/a4a95da8-7798-4056-9309-a7299641bd8d/screen-shot-2019-09-23-at-11.25.50-am.jpg Documentary The Left Point is an audacious relational experiment in which folks who all considered themselves to be “socially progressive” end up rapidly disagreeing with one another. Randomly paired up, strangers are asked to sit in front of a camera and attempt to disagree with one another. No particular subject matter is suggested for the discussion. Instead, each team has to reach a point of disagreement intuitively through the exchange of personal ideas and opinions. The sole instruction from the artist: Discuss something that truly matters to you. Mockler conducts this experiment during her first visit to Belfast, 4 months after the Brexit referendum. During this one-month stay, business tycoon Donald Trump also becomes President of the United States. These unsettling events in both the U.K. and the U.S., as well as the palpable and raw legacy of the conflict in the North, prompts her to explore disagreement in its most basic form. Digital Art Studio of Belfast and FLAX Art Studios https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/92ce6b1b-3b0b-4ced-9826-d10a2ba26efb/81029235_3038433889524218_704061865363769534_n_18086505991132594.jpg Documentary The ethics of listening is at the core of the collective’s investigations. Through public programs and commissions, the collective has developed sound, video and walking nonfictions with different community groups of women+. In collaboration with: Filipino Heritage Society of Montreal, Centre for Oral History and Digital Storytelling, Long Hall Art Studios, La Centrale galerie Powerhouse, HTMelles Festival, ATSA at Place des Arts, Feminist Spatial Stories Symposium and the École Polytechnique Commemoration (UdeM, UQAM, McGill and Concordia Universities). https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/fd34f244-557a-4d59-b9e5-d42a5ea1d1fe/342724091_597242605698659_195599451998039793_n_17981939044922197.jpg Documentary “Why is your band called Enslaved?” — CTV News at Five / CTV Montreal In-Depth Interviews. Aired on June 6, 2023. The artist’s latest intervention follows the experiences of three young women (Hunnayna Hemed, Kaymarie Sutherland, and Kendra McDonald) as they document the work of Halka, a collective composed of social science researchers, university professors, world-renowned metal musicians, underground DJs, and artists. Standing on the outside looking in (with a camera) becomes [ … ] Employment and Social Development - Government of Canada Fonds de recherche du Québec Société et culture, Social Sciences and Humanities Research Council of Canada 2022-23 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/5df7f847-91a7-41f7-bf6d-2af75b0c22fa/22344101_180765869162025_1276823425536491520_n_17903228935045618.jpg Documentary This work borrows its title from famous French documentary classic Chronique d'un été (Morin; Rouch, 1961). In a similar way to its predecessor, this contemporary Québécois take on cinema vérité also presents a youth particular to its time, place, and identity politics. However, Mockler’s rendition documents the conversation of three white millennials belonging to a typical Western world demographic. Their free and futile interactions, though entertaining at first, rapidly become alarming ‍[ … ] Women Cinema Makers Biennial, Berlin, Germany, 2018 Gstaad Art Film Festival, Sélection Officielle, Montevideo, Uruguay, 2017 https://images.squarespace-cdn.com/content/v1/64c5adad44f1764d96eb9781/f4e69cb5-3862-407f-8a57-4721b75370ee/16230383_1853316321547112_8968095054979661824_n_17871675118041681.jpg Documentary An early, provisional relational work in which I spent time with a woman I did not know during one afternoon. Nadia and I did not know each other when I asked her if I could take her portrait. Nadia was the concierge in my apartment building at the time. She agreed without any hesitation and invited me into her home the following week. In this early relational work, I saw the series of photographs as a pretext [ … ]