Canvassers, 2017.
Kìzis and Marshal take part in a one-shot storytelling experiment. This exercise in listening within a single, uninterrupted take was created in response to scientific findings that demonstrate that a 10-minute active one-on-one conversation between two strangers can durably reduce longstanding ingrained prejudice.
Source: Broockman, David, and Joshua Kalla. Durably reducing transphobia: A field experiment on door-to-door canvassing, SCIENCE, 8 Apr 2016, Vol 352, Issue 6282, pp. 220-224.
Critical Study of Race and Ethnicity Independent Fellowship, Connecticut College, USA
Arts & Technology Biennial Ammerman Center
Redd\Flagg Gallery, Toronto Canada, curated by Christophe Barbeau
Future Perfect, New London USA, curated by Nadav Assor
Third Space Gallery and Festival
Vithèque Distribution and Collection
Vidéographe Montréal
The Extended Environmental Record in Shimoichi, Japan, 2023.
The Extended Environmental Record is a recurring and collective listening practice. It understands the environmental as including the nonhuman and human, alongside their relationships and intersections. EER upholds and develops difference within working, artistic and scientific forms of knowledge and decenters them from market and institutional authority. The Record shares its content based on the situated needs and dialogical decision-making of its members.
with Taisuke Eida (Forester, Japan), Yoshifumi Mizuguchi (Local resident, Japan), Makiko Mori (Local resident, Japan), Toshihiko Mukai (Farmer, Japan), Mana Nakatsuji (Local resident, Japan), Yuri Nishiyama (Creative team, MIND TRAIL, Japan), Takashi Noguchi (Forester, Japan), Kaori Takano (Local resident, Japan), with Veronica Mockler (Artist, researcher, Canada), and Marcus Maeder (Artist, researcher, Switzerland).
Embassy of Switzerland in Japan
Pro Helvetia Swiss Arts Council
ivek Venkatesh - UNESCO Co-Chair on the Prevention of Radicalization and Violent Extremism
Centre for the Study of Learning and Performance, Concordia University, Canada
TreeNet measuring devices - Decentlab AG; NATKON, Roman Zweifel
Sakae Stünzi Foundation
Swiss Federal Institute for Forest, Landscape and Snow Research WSL
Institute for Computer Music and Sound Technology ICST, Zurich University of the Arts ZHdK
Seiichi Saito - Research support and producer of MIND TRAIL, Japan
Masaki Matsubara: Local collaborator, Japan
The Address, 2019.
Satellite citizen performance series on the right to housing. Documentation featuring the artist and political refugee Ismael Kabré during his live address about his life as a tenant in an illegal rooming house.
Ethnographie Amplifier 360° Ethnography
McConnell Foundation
Conseil des arts de Montréal - Montréal Arts Council
Premier Prix des Mécènes des arts investi.e.s - Patrons of the Arts First Prize
Engaging Communities National Theatre School of Canada
À l’image: Takeover, 2022-…
Series 1 to 8
Two-year-long participatory takeover of Dazibao’s outreach program, in partnership with Black community organizations of Little Burgundy neighbourhood in Montréal Tiohtià:ke. The eight-part series is created in collaboration with Destiny Gbaniyi, Isha Sheriff, Mei Gannon, Sanaa Bishop-Méus, Sasha Ferst, Shayah Corbin and Talayah Rattray.
Dazibao Contemporary Art
Canada Council for the Arts
Ville de Montréal - City of Montréal - Gouvernement du Québec - Québec Government
Entente sur le développement culturel de Montréal
Innovative Social Pedagogy - Project Someone
Desta Black Community Network
Tyndale St-Georges Community Center
Intersectional listening (a workshop), 2020.
Featuring members of the Filipino Heritage Society of Montréal and Women Walk the Walk Collective (with Joanna Guillaume, Florencia Sosa Rey, and Amanda Gutierrez)
SBC Gallery of Contemporary Art
Centre for Oral History and Digital Storytelling
Feminist Futures Project Program Grant
Scottish Oral History Centre Glasgow
Listening to Bobby Lavery (with Susana Hennessey Lavery), 2017-...
An overseas, intermedia project that initially began as an oral history investigation with Bobby Lavery and Susana Hennessey, an Irish Republican couple deeply involved of the North of Ireland. This dynamic exploration into the ethics of extremity and representation encompasses a sound installation, a publication in "Extremity in Society and Culture" book series by Lexington Press, as well as an upcoming nonfiction lens-based installation.
Listening, Performance and Conflict II
Acts of Listening Lab - Centre for Oral History and Digital Storytelling
UNESCO Chair in the Prevention of Radicalization and Violent Extremism
Centre for the Study of Learning and Performance
Intermedia Cyber Arts Department - Concordia University
The Third Screen, 2023.
Within three-channel video installation, the conventional process of communicating research results, both in art and research, undergoes a subtle ontological rebellion. Viewers find themselves immersed in the experience of research participants - Azzouz, Joanna, Kevin, and Sheida — who are directly included in the interpretation and communication of the final research output. Informed by the tenets of decoloniality, working-class oral history, and popular education, this immersive installation stands not just as a static display but as a manifestation of a dialogic approach for knowledge-making.
Bearing Witness, UnionDocs, NYC USA
Listening Pasts/Listening Futures - Atlantic Centre for the Arts
World Forum for Acoustic Ecology, Florida USA
Acts of Listening Lab
Centre for Oral History and Digital Storytelling
Copyright © 2023 Veronica Mockler